Tuesday, 31 March 2009

...and now it's the UGLY Dragon Strat


This is one seriously ugly Strat. The seller claims that it is "hand-crafted" and "made with all-American Fender parts". I don't care. It's gross. The textured and patterned scratchplate looks bad enough, but what's the deal with the stuck-on dragon "carving" which I can only assume they copied from the much more tasteful Aria Dragon Strat? And why is the "carving" coloured black so that it looks like an oil slick? If you check the photos on the linked page, you'll see it also has skull-shaped strap buttons. Can I say "gross" again?

This guitar was put together by someone with absolutely no idea of taste or aesthetics. Vile.


From: http://guitarz.blogspot.com/

‘Guitar Hero Metallica’

Twenty-eight Metallica songs are featured in the latest 'Guitar Hero' game, 'Guitar Hero Metallica'.

Twenty-eight Metallica songs are featured in the latest 'Guitar Hero' game, 'Guitar Hero Metallica'.



Staff Rating: ★★★★★★½☆☆☆ (6.5/10)
Genre: MusicRhythm
Rating: Teen
Platforms: Xbox 360WiiPlaystation 3
Publisher: Activision
Release date: March 29, 2009

You know you’ve reached the apogee of rock when you get your own ‘Guitar Hero’ game. Looks like heavy metal group Metallica’s made it. ‘Guitar Hero Metallica’ is a follow-up to‘Guitar Hero Aerosmith’. That means the Aerosmith game must have been successful enough to warrant a carbon copy of the idea. The Metallica game features 28 songs by band including Enter Sandman, Fade to Black and King Nothing. There are also 21 other tracks by bands that influenced Metallica. Game levels go from one to 11, and on level 11, you can expect to use a double bass on the drums. You might even need a wrist band for the guitar parts.

Get it now: ‘Guitar Hero Metallica’, $46.99-$56.99.

Would you buy that for a dollar? American Idol top 9 tracks reviewed.

Everything I’ve ever needed to know, I learned from watching cheesy 80s action flicks. For example, I need to be nice “until it’s time not to be nice.” Or, “funny guys get killed last.” But the sentiment I’ve found most useful in my life as a music consultant/itunes glutton comes from RoboCop’s lascivious TV comedy superstar, Bixby Snyder: “I’d buy that for a dollar.”

When it comes to American Idol, millions of you will watch the contestants belt and quiver their way through a 120-second song on TV – but how many are willing to actually dig for change behind the couch cushions and buy one of their tunes for a dollar … or 99 cents, to be exact? The answer so far: not a single contestant ranks in the Top 100 singles (Darius Rucker, sans Blowfish, is sitting pretty at #91). Let’s break down Motown week track-by-track:


Adam Lambert – Tracks of My Tears
Lambert’s one of the few people to walk into AI understanding that the real competition is not about karaoke, but transforming classic material into modern, radio-worthy music. His live version of the Smokey Robinson classic was stripped to just four instruments, which allowed his falsetto to become the centerpiece of the song. The download version employs the original Motown instrumental track, which swallows almost all the tenderness he squeezed into his performance. VERDICT: Not this version.

Alison Iraheta – Papa Was a Rolling Stone
Aside from the way AI’s “Glam Squad” dresses this 16 year-old like “an Australian’s nightmare,” there’s nothing not to like about Alison. When she gets on stage, you get the sense that she’s enjoying herself, which in turn allows you to enjoy her right back. The Motown backing track illustrates yet another unfortunate truth: Ricky Minor and the Band suck rocks. This recorded version also doesn’t feature the length and breadth of Iraheta’s emotion-drenched show performance. VERDICT: 50/50.

Anoop Desai – Ooh Baby Baby
This week’s ballad was hardly the revelation that his Willie Nelson track was in the last round, but it’s also nothing to sneeze at. The single’s mix loses Anoop’s upper register-vocals for half the song, thereby melding him in with the background singers. VERDICT: Um, yeah – no.


Danny Gokey – Get Ready
Oh, Gokey! What a back story, what a voice! But would you by an album of this? Probably not. Danny spends most of this track wailing from the sweet spot in the back of his throat, but you never get the sense that you actually have to “get ready” for him to come. Chances are you can answer the door in sweatpants and everything’s going to turn out the same. VERDICT: Nope.

Kris Allen – How Sweet It Is (To Be Loved By You)
I find Kris to be a very appealing singer. He has a point of view, he connects with the emotional core of the material, and his laidback guitar stylings would be welcome on Adult Alternative radio (thanks to Jack Johnson). Kris needs to grab the reigns away from Ricky Minor if he wants to go all the way. Congratulations are also in order for not just repeating James Taylor’s granola-crunching version. VERDICT: Nice, but no.

Lil Rounds – (Love Is Like A) Heatwave
“Little” sounds the most at home with the original Motown track behind her, but it’s a copy. Well sung, on tune, but a copy. I love Fantasia, I’ve bought music made by Fantasia, and you, Lil, are no Fantasia. VERDICT: No.

Matt Giraud – Let’s Get It On
Matt did really well on Wednesday night with this overplayed Marvin Gaye classic, but the mono-style mix on the single overtakes all his southern-fried soul. VERDICT: I’d rather have Jack Black’s version.

Megan Joy (Last name redacted) – For Once In My Life
If you’re like me, and you wonder how this girl seems to float from one week to the next, it’s not just about how pretty she looks on camera. If she could sing like she does on this track, she’d be a contender. Where she screeched on the show, she sounds sublime on this cut; flat notes transformed into controlled, funky vibrato. VERDICT: Yes. Maybe I will.

Scott MacIntyre – You Can’t Hurry Love
Yes, you can. VERDICT: Hell no! Time for Scott to go.

Michael Sarver – Aint to … Why am I even finishing this sentence? Beefy McOil-Rig got booted.

So, 9 tracks, 1 purchase. That doesn’t bode well for the future of the recording industry. I’d love to write this column the night of the performance show, but iTunes doesn’t release the tracks until Friday for some reason.

As always, I’d love to hear what you have to say in the comments. Until next time, Hamilton OUT … of catchphrases.

http://www.examiner.com/x-4883-LA-iTunes-Examiner~y2009m3d28-Would-you-buy-that-for-a-dollar-American-Idol-top-9-tracks-reviewed

The 12 best bands I loved @ SXSW 2009

littleboots

Little Boots, pre-show at Sup Magazine/ IamSound SXSW party taken by Dan.

Now that the dust has settled, as a recap and a recommendation post - here are the twelve bands which made the long trip to Texas totally worth it.

  1. Starfucker

    From Portland, Oregen, these guys played a storming set in Radio Room on 6th Street to a crowd who seemed familiar with their tunes as was evident in the body-poppin and dancing around the venue. Starfucker’s music is a fun mix of indie-pop and electro elements with a bit of occasional scratching. I’d love to see them over here sometime soon.

    Starfucker - Rawnald Gregory Erickson the Second

  2. Nosaj Thing

    I posted about this guy waaaay back in 2007 and finally got to see him last Saturday in Speakeasy at the XLR8R party to about 20 appreciative people on the dancefloor. It didn’t matter though as the dude gave a thrilling laptop-based performance (seriously) akin to Flying Lotus with glitch and beats aplenty. His debut Drift is out on June 9th.

    Nosaj Thing Radio One Experimental mix

  3. Grizzly Bear

    You’ve heard of these guys right? Veckatimist is good but live these guys shine. Three part idiosyncratic beautiful harmonies and crunchy restrained guitar work. Stunning. Here’s a tune from the Friend EP that really showcases their style. And a video of the amazing ‘Two Weeks’ with Victoria from Beach House (who were also great) on backup vocals from the SXSW show I attended.

    Grizzly Bear - Little Brother (Electric)

  4. The Low Anthem

    Brittle. Swooning. Beautiful. Folksy. Calming. Traditional. All could be applied to this Rhode island band who seemed to be one of the buzz bands at SXSW this year. Supported Lisa Hannigan on her US tour and played before her in the Central Presbyterian Church on 8th Street in Austin.

    The Low Anthem - Charlie Darwin

  5. Solid Gold

    I had already applied “ones to watch” status to this Minnesota band in January and their live show lived up to their considerable promise. Funky indie with electronic touches and a flourish of ideas.

    Solid Gold - Armoured Cars

  6. St. Vincent

    I haaaated Annie Clark’s first album Marry Me but having seen her live in a church (video), I’ve since gone back and found plenty to like. Actor, her forthcoming album sounds like its has much more to like about it too, starting with the wonderful ‘Strangers’.

    St. Vincent - The Strangers

  7. Little Boots

    With a debut album forthcoming called Hands and a great reaction at SXSW all round (including a collab with Kid Cudi and approval from Kanye), Victoria Hesketh’s (above) time in the spotlight will be later in the year. Incidentally, she was signed to Universal five minutes before that picture was taken. Listen to the first single from the album ‘New in Town’.

  8. Vivian Girls

    Delightfully ramshackle indie-rock harmonies from three girls who had a charm not easy to replicate. Despite the drummer being out-of-tune, I still wanted to see them again. After playing about 16 shows in Austin, no doubt they’ll be in Ireland this year.

    Vivian Girls - Tell The World

  9. The Knux

    The Knux are a New Orleans hip-hop act via LA who got live at SXSW. The set I caught was packed and the performance was festival-worthy. Great live hip-hop with a real party atmosphere.

    The Knux - Cappucino

  10. P.O.S

    Rhymesayers rapper who has the misfortune of sounding like Eminem on record.Live, he shreds guitar, cuts up on a sampler, raps with a passionate force and puts on a hell of a show.

    P.O.S - Get Smokes

  11. The Golden Filter

    I’ve mentioned these before. Promising electro-pop with a charismatic frontwoman and a disco beat. Early days for sure but ‘Solid Gold’ (not to be confused with the band) is their highlight jam so far.

    The Golden Filter -Solid Gold

  12. The Harlem Shakes

    Comparisons to Vampire Weekend are obvious and difficult to..er.. shake but these guys have a richer palette and a deep sense of instrumentation. Singer’s a bit cheesy at times. An intriguing band to watch, their album Technicolor Health is out now.

    The Harlem Shakes - Strictly Game

If you like this try:

Band of the Week: The Subtle

Subtle Having 10 core members makes The Subtle a large unit, but, according to Peter Fritz, the size is what makes it work.

    “When you have to have this many guys, magic happens,” he says. “If you take one away, it’s not the same. You can’t take one element out. Everyone has their place.”

    The Subtle combines Latin, jazz, funk, and world music in a unique sound that includes unusual instruments like a marimba (African thumb piano) and a mouth horn (imitating the sound of a trumpet by using the lips). There is a taste of free jazz, but the music is firmly grounded in the band’s original compositions.

    “We try to keep it soft,” says Fritz, and it is surprisingly true for such a large group.
With musicians of different ages and influences, Fritz says, “We can do any types of gigs. Call a genre and we can play it.”

    The group sometimes adds guest musicians, or it can work as a smaller unit depending on the venue.
The band was created for outside gigs, specifically RiverFusion, the annual festival held at Illick’s Mill in Bethlehem.

    The band is acoustic except for the guitar and keyboards, and Fritz is happy for the chance to play acoustic instead of electric bass. He and other band members studied with Muhlenberg College teacher and bassist Charles Fambrough.

    The Subtle, which began early this year, was named after a psychological concept of opposition to the individual ego. “We’re not thinking about our egos,” says Fritz. “We’re not like a rock band with a front man. We have to be able to work together.”

Members: Clockwise, from left: Jeff Beck, keyboards; Justin Bortz, percussion; Dave Jankovsky, keyboards; Carlos Sanchez, mouth horn, kalimba, cello, beatbox; A.J. Silverberg, harmonica; Dr. Robert F. Swift Jr., baritone sax; Peter Fritz, standup bass; Jason Rinker, drum; A.J. Melendez, percussion. Not pictured: J.J. Collazo, guitar and vocals
Performing: 6:30 p.m. April 3, Dave Phillips Music & Sound, 622 Union Blvd., Allentown, 610-820-5600, free; 8 p.m. April 8, Muhlenberg College, Baker Center for the Arts, Recital Hall, 2400 Chew St., Allentown, free, broadcast live on WMUH, 91.7 FM. Allentown; 1 p.m. May 3, RiverFusion, Sand Island, www.illicksmill.org/riverfusion
On the Net: www.thesubtle.com

March Madness Guitar Hero: Metallica spot is fantastic

Activision raised the bar for videogame advertising when they released a star-studded Guitar Hero: World Tour commercial a few months ago featuring Kobe Bryant, Tony Hawk, Micael Phelps before weed, and A-rod before steroids and prostitution ring. The good news about this new Metallica spot is that leading man Bobby Knight already has most of his life’s scandals behind him. Behind Knight are fellow NCAA coaching legends Mike Krzyzewski of Duke, Roy Williams of North Carolina, and Louisville’s Rick Pitino.

Activision’s efforts to reach beyond the music industry to find their spokesmen is a tribute to the wide range of Guitar Hero’s appeal. The new March Madness-specific ad is again focused on the sports fan, but could attract an older crowd than previous commercials. Perhaps all those elderly gamers that are finally tired of playing Wii bowling?

Of course, Metallica themselves make an appearance and their verbal confrontation with Knight will make your day. Guitar Hero: Metallica is now available for Xbox360, PlayStation 3 and Wii.

Win A Kick-Ass Guitar!


Want to get your mitts on a brand new guitar? Of course you bloody do! Come on in for your chance to win a guitar, courtesy of Hungary’s Ektomorph!

Click here to enter our competition to win a brand new guitar!

Hungary’s own riff-masters Ektomorf are giving one lucky individual the opportunity to win one of lead guitarist/vocalist Zoltan Farkas’ main axes.

The white ‘ZOLTAN SIGNATURE’ CAREER VIPER is the same used in the current video ‘It’s Up To You’ available to watch here www.youtube.com/afmrecords and this announces the arrival of the band’s new album ‘What Doesn’t Kill Me’ released in the UK on Monday March 23 via AFM.

Says Zoli: “It’s great to be able to give away one of my guitars to a Hammer reader! It’s emblazoned with the Ektomorf emblem that has been with me now for many years. It feels like a part of me which is a good lead up to the album, also a very personal one for me. See you soon UK!”

Monday, 30 March 2009

Guitar Hero Metallica Commercial

There is an excellent Guitar Hero Commercial featuring Metallica out now; the commercial is for the new game Guitar Hero Metallica and the commercial is one you have to see to believe. Read more, see photos and video of the commercial below.

Metallica Guitar Hero commercial 5


Metallica

I’m in the middle of watching North Carolina trounce Oklahoma in the NCAA tournament, when what do I see; Bob Knight, Mike Krzyzewski, Roy Williams and Rick Pitino in their skivvies promoting the next installment of the very popular video game “Guitar Hero”; a Pretty hilarious take on Tom Cruise’s infamous slide through the living room in his undies in the movie “Risky Business”.

For those of you who are not college basketball fans, let me explain to you just who these four men are. First, let me start with my favorite, Roy Williams of North Carolina. A well respected coach of some 20 years with the University of Kansas and now where my heart and hopes are the North Carolina Tar Heels; he also hails from my hometown and attended the same high school I did. Secondly, coach Mike Krzyzewski from Duke University; one of the best to ever step between the lines, leading Duke to numerous Final Fours and three national titles.

Next I’ve gotta go with Rick Pitino from the University of Louisville; Pitino also won a national championship with Kentucky and then spent a brief stint in the NBA with Boston. And last but certainly not least, showing of his 70 year old chicken legs, is the controversial coach Bob Knight formerly of Indiana University and Texas Tech.

I have to admit, I was pretty shocked to see these guys in a commercial like the one below. I won’t spoil it for you; you have to see it for yourself. All I can say is that Bob Knight is not the kind of guy who you normally see in spots like this one; as well as Williams and Krzyzewski, Pitino maybe; he’s always been a little bit more open than the other coaches.

Rounding out the star studded Guitar Hero commercial was Metallica. The Hard rock band that’s been around for more years than I care to count; great commercial, I only wish that I could be in these guys locker rooms to hear what their teams think about this very comical commercial.


More photos and a video of Guitar Hero Metallica Commercial are below.

Metallica Guitar Hero commercial 4Metallica guitar hero commercial 3Metallica Guitar Hero commercial 1Metallica guitar hero commercial 2
Metallica Photos



Guitar Hero Metallica and Coaches Video

Photos: WENN.com

Air Guitar

Drew, Jim and I spent Saturday at the farm practicing division of labor.  My morning was spent taping up some of the tube connection points in our Freshman test field irrigation system.  Occasionally one of the inner-hose-inside-outer-hose connections, currently held together by friction alone, will pop and we’ll arrive at the field to see the evidence of an uneven timed irrigation etched as water lines in the clayey soil.  We decided to try duct tape and see how it holds.  No doubt it will be fine for now, but when the high heat comes in July and we see 100⁰-plus days, the adhesive might get gooey.  We’ll see.

After fixing the irrigation connections in the field, I went on to my next task, which was hoeing the last two beds and planting squash and zucchinis (with radish seeds mixed in with each squash and zucchini hole) , turnips, and cucumbers.  I’ve read that if you plant the radish in with the squash and zucchini, and let the radish grow along with the squash and eventually go to seed, this will help in repelling pests that plague cucumbers and squash.  I did not put radish seeds into the cucumber hills because there is already a row of radishes planted right next to the cucumbers.  (As previously mentioned, the radishes that will go to seed, and the turnips that we have planted partly for seed, can be mixed with clover in our next cover crop to boost nitrogen content.)

While working on the irrigation taping and planting, I was excited to see that some evidence of Drew’s planting on March 18 (10 days prior) was peeking out of the ground – we have radishes and lettuce up.  In addition, the potatoes have broken through (planted on March 7, so at 21 days).  It’s great to see them there since we have been worried about the high clay content of our soil, which made it very difficult to work with while planting.  We don’t have nice crumbly stuff to cover the seeds over with, but instead gobs of stuff that’s either sticky if it’s wet, or sharp and chunky if it’s dry, and no other state in between.

Later, we installed our “Deer Fence,” definitely a lot of steps down from what Willow described in her recent post … this is another idea that I read about on the internet and cost us $20 and half an hour’s time, so perhaps it will be worth just as much as we put into it.  It’s not going to give us the peace of mind that a properly installed, post constructed 8’ fence would, but on the other hand we haven’t yet had a chance to really evaluate how much deer danger our little test field is in.  Evidence so far is circumstantial and anectodal:  The circumstantial evidence is the scores of deer paths trodden down in the meadow grasses on the middle portion of the farm where the test field is located, and the occasional dancing hoofprints we would see in the test field while it still had a cover crop planted; and the anecdotal evidence comes from our neighbor Dave, who lives full-time on his place.  Dave tells Drew that “there’s a whole clan of deer that meet up on your meadow every evening – they’re so beautiful, just a wonderful sight to see – and so many of them!”  This is hardly heartening, but still, we are committed to trying the low-tech, small solutions first for each of the needs we encounter on the farm, and then evaluate how well those worked before moving on to a more intensive solution.

The low-tech deer fence is made with 6 t-posts and some 80-pound test line, stretched  at deer shoulder-height and rump-height.  The concept is that Mr. Deer comes across the meadow toward our field, bumps some body part into this stretched length of fishing line, and is spooked by the concept that there’s an invisible obstacle that has reached out and touched him.  If he ponders jumping over it, he will think twice because a deer does not want to jump over something he can’t see and fully evaluate.  Fine – we’ll see about that.  Will the deer think the way that guy on the internet said they would?  (His t-post and fishing line fence has kept the deer out of his garden for two straight years, so maybe??)

But here’s the really cool thing about the deer fence:  It sings.  The line is stretched tight, and when you get your ear a few inches from it you can hear strange ghostly wailing harmonics.  It’s a beautiful sound.  I wonder if the deer will like it.

Custom guitar shop resides at rear of appliance repair

THIBODAUX — The sign on the door of Gerard Melancon's custom guitar shop reads "Melancon's Repair Service."

"You've got the right place," he quickly explains, taking someone to the back of his father's appliance-repair store.

Amid the washing machines and ovens, a glass door leads to two adjoining rooms filled with the machines and gadgets he uses to fashion custom guitars.

Many were born out of Cajun ingenuity.

"When I decided to begin building guitars for people, I had to make a lot of my own tools and equipment because no one was selling anything to help you put together a guitar," said Melancon, 48.

His roundabout musical journey began with aspirations of making it "big."

He said his grandfather and father turned him on to music. He taught himself to play, and started a band with a couple of his friends when he was 12 or 13. During the next few years, Melancon saved up enough money to buy a used Gibson Les Paul and later a Fender Strat guitar.

He toured with another band after high school, but they split up after coming close to signing a recording contract.

"Life on the road is tough," Melancon said. "I guess that was what hurt us more than anything else."

After returning home, Melancon decided to become a studio artist. He also began repairing guitars for local music stores.

"You had two manufactures back then," Melancon said. "You had Fender and Gibson. Both of them sounded different and had different features."

He wanted to combine the best from each. But the area's only existing custom guitar shop told him it would take a year to create the instrument he wanted.

"I had been doing guitar repairs, so I had a little woodworking knowledge under my belt," Melancon said. "Don't get me wrong — I had a lot to learn, but I thought I would give it a try."

Melancon did it without lessons or instruction.

"I did some research and started making templates to help me along," he said. "I found out I really enjoyed it. It was something incredible about taking a piece of wood and transforming it into something tangible that others could use."

Someone saw him playing his new guitar and asked to buy it. Melancon said he didn't want to at first, but then realized money from that sale would let him make another guitar.

"It started off as a local thing and a local thing only," he said.

The born-again Christian tells people he never saw a custom guitar shop in his future, but God had other plans.

There was the time his daughter dropped a tool he was using on a bass guitar he was fixing. He told the owner what had happened. The owner came to his house, and some of the instruments Melancon had made caught his eye.

He asked about buying one. Melancon felt bad about the accident, so he repaired the man's guitar free and sold him a new one at the cost for materials.

They became friends. The man asked if he could bring another friend over to check out Melancon's guitars.

"His friend was Tommy Malone, who played with the Subdudes out of New Orleans. He bought one and liked it and his brother, Dave, played with the Radiators and he came to me asking me if I could make him one."

Before he knew it, a hobby that began in the 1980s had turned into a business.

"It was all word of mouth," Melancon said. "These guys would travel the country and people would see my guitars. It just kept building on itself as time went on."

As word spread, Melancon began fielding orders from all over the world.

"I'm only one of 20 custom builders out there," Melancon said. "I guess since there's not many people who do this there's a demand for it."

After hiring a crew to help him assemble guitars, Melancon chose to go it alone.

"I had some good people working with me, but it's so hard to teach somebody how to do this the right way," Melancon said. "I will admit I'm not the best teacher, so I just decided to take the whole thing over."

That limits his production to 100 to 120 guitars a year. They sell for $2,600 to $10,000.

His customers have included Dire Straits' Mark Knopfler and Aerosmith's Brad Whitford — a sale made by way of Aerosmith's guitar tech, Greg Howard, who makes sure all equipment is ready for practices and live performances.

"I was blown away with his guitars," Howard said. "I told Brad about him and on a trip down to New Orleans for a concert in 2002 I invited him to the concert and told him to bring a few guitars with him."